THE LEATHER SURPLUS PROJECT 2025 - 2026
ABOUT THE PROJECT
For the third year running, Abbey England is proud to collaborate with the Leathersellers to deliver the Leather Surplus Project to 18 universities and colleges across the UK.
This initiative provides students with free access to surplus leather generously donated by UK Tanneries. Not only does the project give students the opportunity to work with a wide variety of locally produced leathers in different finishes and colours, it also:
Encourages the use of a sustainable by-product
Builds an understanding of leather as a material
Develops key leatherworking skills, a valuable asset for future careers in fashion, accessories, footwear, and design disciplines
This year, more than 400 hides were distributed to participating universities and colleges in time for the start of the September 2025 term.
The project was first piloted in 2022, and following positive feedback and gratitude from the participating universities, the Leathersellers agreed to continue running it in the 2024–2025 academic year.
Looking ahead, The Leathersellers’ Master, Martin Dove, commented on the expected impact of the 2025–2026 Surplus Leather Project "Now in its fourth year, it is fantastic to see the Surplus Leather Project continue to grow and increase its impact, reaching more students at now 19 educational institutions thanks to ongoing and new industry donors. Through increasing access, we are helping to underpin the development of essential leatherworking skills, ensuring leather remains the material of choice and opportunity across a range of creative design disciplines from fashion to furniture."
We are delighted to be a part of this scheme once again.
If your university would like to be a part of the next cohort of education partners or to donate surplus leather, please contact Natalia Rymaszewska NRymaszewska@leathersellers.co.uk.
OUR 2025 - 2026 PARTNERS
This project would not be able to go ahead without the kind donations from the following UK Tanneries. We thank them for their support and the positive contribution towards the leather industry and the higher education system.
ALLY CAPELLINO
__________________________________________
Ally Capellino creates modern, functional bags and accessories that celebrate British style, design and culture.
Both fashion and style conscious, but with a healthy scepticism for passing trends, Ally Capellino bags combine style and practicality. Understated, practical and desirable, the leather, canvas and waxed cotton bags are created from materials chosen for their lasting beauty and function. They are directed at an audience spanning both age and gender, independent men and women with confidence in their own style.
“We have built up quite a pile of ends of lines or quantities that are too small for us to use, and I know that materials are not funded for students as they were in my college days. It’s a great feeling to think that the future designers might get a leg up from Ally Capellino.
I think there may be some unusual colours and textures in the mix, and it would be interesting to see what the students might produce and how they would be challenged. I hope they are experimental and try out new ideas. (And don’t bore us with bondage - it’s been done.”
Alison Lloyd, Founder of Ally Capellino
C.F. STEAD
__________________________________________
C.F. Stead pride themselves on making the best classic suedes available and in doing so, they have built-long standing relationships with many of the finest shoe and bag manufacturers in the world.
The team at C.F. Stead are constantly seeking to innovate new leathers to meet their customers’ needs and provide them with unique and interesting topical looks to ensure their products stand out in the marketplace, whilst never compromising our unrelenting commitment to produce high quality natural products.Stead’s are proud to offer a renewable, sustainable, durable, versatile yet beautiful material. At the polar opposite of ‘fast fashion’, their suedes and leathers are designed to be enjoyed for decades, offering classic elegance, durability and repairability.
"C F Stead are proud to be part of the Leathersellers’ scheme ensuring students are able to access genuine leather to enrich their studies and design experience.
Leather, as the original recycled material, is sustainable, biodegradable, durable, repairable and, most importantly, beautiful. We feel it’s essential that the next generation of designers and creatives are exposed to the wonderful properties of genuine leathers and learn how to make the most of its unique and varied characteristics."
Sales Director of C.F. Stead, Andrew Bailey
J & M DAVIDSON
__________________________________________
J & M Davidson designs for the woman who notices more.
She moves through the world with quiet confidence and curiosity, drawn to the curve of a buckle, the texture of fine leather, the beauty found in small, fleeting details. Her style is considered timeless, never loud – but always her own.
Founded in London in 1984, the brand grew from the belief in British craftsmanship infused with a touch of French irreverence. Today, each piece is made in Italy and Spain by skilled artisans using high-quality leathers – chosen for their rich character, supple feel, and ability to age beautifully over time. Four decades on, that spirit remains: bags, belts, and accessories made to be lived with, often carried, and discovered slowly.
For the quietly curious woman, true luxury and craft lie not in spectacle but in the small details that reward a closer look.
Haruko Sagawa, Head of Products and Merchandising, J & M Davidson
SCOTTISH LEATHER GROUP
__________________________________________
When it comes to reducing carbon emissions, Scottish Leather Group lead the global leather industry. Since 2003, it has reduced the carbon intensity of their leather by 90%. It proudly sources all rawhides responsibly and locally, reducing transportation emissions as well as innovating its circular manufacturing process to reduce its carbon footprint.
Scottish Leather Group, the UK's largest leather manufacturer, encompasses Bridge of Weir Leather, Lang, and Muirhead, leading in automotive, aviation, mass transit, and luxury sectors with a focus on environmental sustainability and technical excellence. Customers include Aston Martin, Jaguar Land Rover, British Airways, Singapore Airlines and Philips.“We continually seek innovative and practical methods to extend the life of our leather, celebrating its natural beauty and emphasizing its durability and versatility.
This opportunity enables us to inspire and support the next generation and show the designers of the future that leather is not just a luxury material but a sustainable and forward-thinking choice. At the same time, it helps us shape the evolving role of leather in contemporary design.”
The seventh generation of the Muirhead family and CEO of Scottish Leather Group, Nicholas Muirhead.
TUSTING
__________________________________________
Tusting is a global name in luxury leather goods supplying a range of handbags, travel bags briefcases and more, all from their Lavendon workshop, Buckinghamshire.
A family run business, Tusting employ highly skilled artisans to transform raw leather into exquisite finished designs. This meticulous process involves eight key stages, from pattern making and full-grain leather selection to hand and machine cutting, edge painting, skiving, splitting, and bench-working.
OUR BENEFICIARIES
The Leathersellers Surplus Leather Project is supporting 18 universities. Hear how the project is benefiting the universities and their students from the course leaders below.
Joseph Turvey, Birmingham City University
Bethan Willicombe
Pattern Cutting & Garment Construction Technical Demonstrator, Cardiff University
Darla Gilroy, Associate Dean of Knowledge Exchange
Reader in Fashion and Enterprise, Central Saint Martins
Then mainly for a Year 1 external project with Waste to Wonder where students disassemble clearance office waste furnishings to make new designed items.
We are interested in building up leather skills on the Product and Furniture Design course moving forward."
Liz Ciokajlo, Designer, Researcher and Lecturer BSc/MA/PgCert/FHEA, Chelsea College of Art
Gillian Proctor BA (Hons) M.Des.RCA
Associate Professor, De Montfort University
Rosa Foir, Associate Lecturer BA (Hons)Footwear Design and Accessories
Jimmy Choo Academy
David Weatherhead, MA.RCA
Course Leader Product & Furniture Design MA, Kingston School of Art, Kingston University, London
Lindsey Riley, MA PGCE SFHEA CMgr
Associate Dean, School of Design and Technology,
London College of Fashion
Gavin Douglas, Programme Leader -BA Fashion Design and Technology, Manchester Metropolitan University
To have this unique opportunity for our students to work with and experience quality British leather material to sample with, embellish and incorporate into their garment production, will benefit enormously their creative practice towards University."
Warren Malkin, Facilitator in Fashion, Clothing & Textile Design, Matthew Boulton College
Lee Mattocks, Senior Lecturer, Nottingham School of Art & Design
Nottingham Trent University"The link we have with the Abbey Leather Surplus Project initiative is highly beneficial for our fashion students and also the wider student community working with this amazing material. Your generous support and donation helps fuel the students' experimentation with new techniques and form building systems to develop their creative ideas."
Kelly Duncan , Specialist Technical Instructor in Pattern Cutting & Flora McLean, Senior Tutor in Fashion Footwear Accessories Millinery and Eyewear,
Royal College of Art
Jeffrey Thorpe, Principal Teaching Fellow in Fashion Design
Employability Lead, Director of Industrial Advisory Board
"We are excited to be part of the surplus leather initiative as this puts into practice what we deliver through our curriculum; embedding responsible consumption, high quality craftsmanship and a design approach which encourages our students to consider a broad range of sustainability challenges in the fashion industry.”
Elaine Evans, Senior Teaching Fellow, Programme Leader in Fashion Design
Vickie Dean, University of Northampton
"Knowledge of materials and sustainable working practices are key to learning Fashion Design at the University of South Wales. Leather donated to us enables our students to develop skills and appreciation of the creative potential of leather. "
Dr Torunn Kjolberg, PhD, MA, FHEALecturer in Fashion Studies, University of South Wales
Tim Forrester, Course Leader - BA (Hons) Product, Furniture, Ceramics, University of Staffordshire
Victoria Stevens MA ACR FIIC
Subject Leader for Books and Library Materials
West Dean College
Additionally, this partnership would promote sustainable practices in design, teaching students the value of resourcefulness. Ultimately, access to surplus leather would enrich our curriculum, empowering students to develop their skills and confidence as emerging designers while championing sustainability in their work.”
Donna Kernan, Year Two Tutor , BA Fashion Design,
Westminster School of Arts
THE IMPACT
___________________________
We look forward to sharing the students' work and projects later in the academic year.
RESOURCES
For resources and guides, head over to the Leathersellers who have partnered with Leather Naturally, to produce an in-depth guide to leather.
Click HERE.
THE LEATHER SURPLUS PROJECT 2025 - 2026
ABOUT THE PROJECT
For the third year running, Abbey England is proud to collaborate with the Leathersellers to deliver the Leather Surplus Project to 18 universities and colleges across the UK.
This initiative provides students with free access to surplus leather generously donated by UK Tanneries. Not only does the project give students the opportunity to work with a wide variety of locally produced leathers in different finishes and colours, it also:
Encourages the use of a sustainable by-product
Builds an understanding of leather as a material
Develops key leatherworking skills, a valuable asset for future careers in fashion, accessories, footwear, and design disciplines
This year, more than 400 hides were distributed to participating universities and colleges in time for the start of the September 2025 term.
The project was first piloted in 2022, and following positive feedback and gratitude from the participating universities, the Leathersellers agreed to continue running it in the 2024–2025 academic year.
Looking ahead, The Leathersellers’ Master, Martin Dove, commented on the expected impact of the 2025–2026 Surplus Leather Project "Now in its fourth year, it is fantastic to see the Surplus Leather Project continue to grow and increase its impact, reaching more students at now 19 educational institutions thanks to ongoing and new industry donors. Through increasing access, we are helping to underpin the development of essential leatherworking skills, ensuring leather remains the material of choice and opportunity across a range of creative design disciplines from fashion to furniture."
We are delighted to be a part of this scheme once again.
If your university would like to be a part of the next cohort of education partners or to donate surplus leather, please contact Natalia Rymaszewska NRymaszewska@leathersellers.co.uk.
OUR 2025 - 2026 PARTNERS
This project would not be able to go ahead without the kind donations from the following UK Tanneries. We thank them for their support and the positive contribution towards the leather industry and the higher education system.
ALLY CAPELLINO
__________________________________________
Ally Capellino creates modern, functional bags and accessories that celebrate British style, design and culture.
Both fashion and style conscious, but with a healthy scepticism for passing trends, Ally Capellino bags combine style and practicality. Understated, practical and desirable, the leather, canvas and waxed cotton bags are created from materials chosen for their lasting beauty and function. They are directed at an audience spanning both age and gender, independent men and women with confidence in their own style.
“We have built up quite a pile of ends of lines or quantities that are too small for us to use, and I know that materials are not funded for students as they were in my college days. It’s a great feeling to think that the future designers might get a leg up from Ally Capellino.
I think there may be some unusual colours and textures in the mix, and it would be interesting to see what the students might produce and how they would be challenged. I hope they are experimental and try out new ideas. (And don’t bore us with bondage - it’s been done.”
Alison Lloyd, Founder of Ally Capellino
C.F. STEAD
__________________________________________
C.F. Stead pride themselves on making the best classic suedes available and in doing so, they have built-long standing relationships with many of the finest shoe and bag manufacturers in the world.
The team at C.F. Stead are constantly seeking to innovate new leathers to meet their customers’ needs and provide them with unique and interesting topical looks to ensure their products stand out in the marketplace, whilst never compromising our unrelenting commitment to produce high quality natural products.Stead’s are proud to offer a renewable, sustainable, durable, versatile yet beautiful material. At the polar opposite of ‘fast fashion’, their suedes and leathers are designed to be enjoyed for decades, offering classic elegance, durability and repairability.
"C F Stead are proud to be part of the Leathersellers’ scheme ensuring students are able to access genuine leather to enrich their studies and design experience.
Leather, as the original recycled material, is sustainable, biodegradable, durable, repairable and, most importantly, beautiful. We feel it’s essential that the next generation of designers and creatives are exposed to the wonderful properties of genuine leathers and learn how to make the most of its unique and varied characteristics."
Sales Director of C.F. Stead, Andrew Bailey
J & M DAVIDSON
__________________________________________
J & M Davidson designs for the woman who notices more.
She moves through the world with quiet confidence and curiosity, drawn to the curve of a buckle, the texture of fine leather, the beauty found in small, fleeting details. Her style is considered timeless, never loud – but always her own.
Founded in London in 1984, the brand grew from the belief in British craftsmanship infused with a touch of French irreverence. Today, each piece is made in Italy and Spain by skilled artisans using high-quality leathers – chosen for their rich character, supple feel, and ability to age beautifully over time. Four decades on, that spirit remains: bags, belts, and accessories made to be lived with, often carried, and discovered slowly.
For the quietly curious woman, true luxury and craft lie not in spectacle but in the small details that reward a closer look.
Haruko Sagawa, Head of Products and Merchandising, J & M Davidson
SCOTTISH LEATHER GROUP
__________________________________________
When it comes to reducing carbon emissions, Scottish Leather Group lead the global leather industry. Since 2003, it has reduced the carbon intensity of their leather by 90%. It proudly sources all rawhides responsibly and locally, reducing transportation emissions as well as innovating its circular manufacturing process to reduce its carbon footprint.
Scottish Leather Group, the UK's largest leather manufacturer, encompasses Bridge of Weir Leather, Lang, and Muirhead, leading in automotive, aviation, mass transit, and luxury sectors with a focus on environmental sustainability and technical excellence. Customers include Aston Martin, Jaguar Land Rover, British Airways, Singapore Airlines and Philips.“We continually seek innovative and practical methods to extend the life of our leather, celebrating its natural beauty and emphasizing its durability and versatility.
This opportunity enables us to inspire and support the next generation and show the designers of the future that leather is not just a luxury material but a sustainable and forward-thinking choice. At the same time, it helps us shape the evolving role of leather in contemporary design.”
The seventh generation of the Muirhead family and CEO of Scottish Leather Group, Nicholas Muirhead.
TUSTING
__________________________________________
Tusting is a global name in luxury leather goods supplying a range of handbags, travel bags briefcases and more, all from their Lavendon workshop, Buckinghamshire.
A family run business, Tusting employ highly skilled artisans to transform raw leather into exquisite finished designs. This meticulous process involves eight key stages, from pattern making and full-grain leather selection to hand and machine cutting, edge painting, skiving, splitting, and bench-working.
OUR BENEFICIARIES
The Leathersellers Surplus Leather Project is supporting 18 universities. Hear how the project is benefiting the universities and their students from the course leaders below.
Joseph Turvey, Birmingham City University
Bethan Willicombe
Pattern Cutting & Garment Construction Technical Demonstrator, Cardiff University
Darla Gilroy, Associate Dean of Knowledge Exchange
Reader in Fashion and Enterprise, Central Saint Martins
Then mainly for a Year 1 external project with Waste to Wonder where students disassemble clearance office waste furnishings to make new designed items.
We are interested in building up leather skills on the Product and Furniture Design course moving forward."
Liz Ciokajlo, Designer, Researcher and Lecturer BSc/MA/PgCert/FHEA, Chelsea College of Art
Gillian Proctor BA (Hons) M.Des.RCA
Associate Professor, De Montfort University
Rosa Foir, Associate Lecturer BA (Hons)Footwear Design and Accessories
Jimmy Choo Academy
David Weatherhead, MA.RCA
Course Leader Product & Furniture Design MA, Kingston School of Art, Kingston University, London
Lindsey Riley, MA PGCE SFHEA CMgr
Associate Dean, School of Design and Technology,
London College of Fashion
Gavin Douglas, Programme Leader -BA Fashion Design and Technology, Manchester Metropolitan University
To have this unique opportunity for our students to work with and experience quality British leather material to sample with, embellish and incorporate into their garment production, will benefit enormously their creative practice towards University."
Warren Malkin, Facilitator in Fashion, Clothing & Textile Design, Matthew Boulton College
Lee Mattocks, Senior Lecturer, Nottingham School of Art & Design
Nottingham Trent University"The link we have with the Abbey Leather Surplus Project initiative is highly beneficial for our fashion students and also the wider student community working with this amazing material. Your generous support and donation helps fuel the students' experimentation with new techniques and form building systems to develop their creative ideas."
Kelly Duncan , Specialist Technical Instructor in Pattern Cutting & Flora McLean, Senior Tutor in Fashion Footwear Accessories Millinery and Eyewear,
Royal College of Art
Jeffrey Thorpe, Principal Teaching Fellow in Fashion Design
Employability Lead, Director of Industrial Advisory Board
"We are excited to be part of the surplus leather initiative as this puts into practice what we deliver through our curriculum; embedding responsible consumption, high quality craftsmanship and a design approach which encourages our students to consider a broad range of sustainability challenges in the fashion industry.”
Elaine Evans, Senior Teaching Fellow, Programme Leader in Fashion Design
Vickie Dean, University of Northampton
"Knowledge of materials and sustainable working practices are key to learning Fashion Design at the University of South Wales. Leather donated to us enables our students to develop skills and appreciation of the creative potential of leather. "
Dr Torunn Kjolberg, PhD, MA, FHEALecturer in Fashion Studies, University of South Wales
Tim Forrester, Course Leader - BA (Hons) Product, Furniture, Ceramics, University of Staffordshire
Victoria Stevens MA ACR FIIC
Subject Leader for Books and Library Materials
West Dean College
Additionally, this partnership would promote sustainable practices in design, teaching students the value of resourcefulness. Ultimately, access to surplus leather would enrich our curriculum, empowering students to develop their skills and confidence as emerging designers while championing sustainability in their work.”
Donna Kernan, Year Two Tutor , BA Fashion Design,
Westminster School of Arts



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